The Rasa experience in Indian dance is a unique and specific framing of technique and practice that transforms the practice from dance into dance contemplation.
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Saraswathi is the gorgeous, enigmatic goddess in the Indian pantheon. The Saraswathi space is the heart of contemplation itself. It sets out the characteristics of the contemplative experience as one that is distinct from the experience of maya-based contexts. And the language of this domain is contemplative arts as it was practised traditionally in India.
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Swabhava denotes an intrinsic expression that is choiceless in its existence in oneself. By this I mean that one did not choose necessarily to have this seed space in oneself, it is as if it was there and just rose to one’s awareness.
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The role of archetypes is to invite us to engage with the complexity of reality without easy definitions and imposed structures. They present to us the ambiguous nature of life which we try to simplify into convention to render it understandable and less fearful to us.
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An overview of the dance contemplation approach and its links to contemplative philosophies.
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